Ellarslie Mansion - Trenton City Museum 
Cadwalader Park 2018

 MALCOLM BRAY TALKS ABOUT HIS ART AT ELLARSLIE MANSION   

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​His personal brand and transatlantic oeuvre is characterized as belonging to a branch of Abstract Expressionism. Bray has drawn inspiration from Picasso, Pollock and Willem de Kooning in particular yet considers himself a Neo-Expressionist.

Masquerade  oil on linen  80 x 70 - 2016

INTRODUCTION

With a career spanning over 34 years Bray's artistic achievements place him alongside the most prominent painters in the region. Continually striving and experimenting he seems determined to master the art of his own inventions using the basic tools of oil painting.

Harry Georgeson, sculptor and close friend to Bray writes in his essay 'Northeast Corridor - 2010'

"These are hard won compositions belying the apparent ease of disordered spontaneity. They transport us into a realm of  emotion and underlying meaning touching on the eternally dramatic"
  
Gary Snyder writes in his foreword 'Going Down The Rabbit Hole - Scapa 2012'

"Malcolm has worked and worked and worked for many years, and his recent paintings, in my opinion, are not only his best but are better than many and most paintings that I see around me. I don't say this lightly and I wouldn't have said this so strongly a few years ago - I always liked Malcolm's work, and appreciated his direction and the struggle that was his art. But part of going down the rabbit hole is knowing and trusting that there are riches to be found if one keeps going, and Malcolm has hit gold of late."

Malcolm Bray was born 1958 in Kingston upon Hull, England and immigrated to the United States in May 1984.
Eventually, Bray became a citizen of the United States in June 2005 and has embraced the Delaware Valley living between Bucks and Hunterdon
County ever since.

​Bray attended Hull College of Art for a brief period in 1977. A natural draftsman with an affinity for painting, his initial interests encompassed graphic design,
silk-screen printing and oil painting. Amidst a depressed and uncertain economy he chose to leave the foundation course preferring self-employment in the shadow of Hull Trinity Parish Church, a market place where he navigated as a leather craftsman.

In 1991, Bray moved to the historic Spoke Works building in Lambertville, NJ. This 19th century warehouse accommodated both his import business and studio. Between 1994 and 2002 the Spoke works became an exciting venue for numerous art exhibitions with an emphasis for figurative and abstract subject matter. Whittled down to approximately 10 artists, Bray identified this core of indifference as New Eclectic.

The last shows for New Eclectic fell into the lap of MCS Gallery, Easton, Pennsylvania in 2003 and West Chester University, Pennsylvania in 2004. By the spring of 2004, Bray sold his import business to concentrate on his art career full-time, exactly thirty years after his arrival to the United States. 

​The painters of the New York School are the inspiration and cornerstone for Bray. Represented by Cheryl Hazan in New York and both Burnt Mills Gallery and Ruth Morpeth Gallery in New Jersey, Bray undertook the task of painting fervently. This new body of work caught the attention of Spanierman Gallery at 58th street and Park Avenue adjacent to the trappings of The Four Season's Hotel which literally backed into Spanierman's window displays. In the summer of 2011, three of Bray's larger paintings are included in a group show at Spanierman 'Fifteen Modern and Contemporary Artists'